Author: Amy C. Chambers
Westworld was my favourite series of 2016. It presented a rich science fiction future that managed to be fresh and exciting despite being
a remake based upon a 1973 movie by the same title. It had and continues to have lots of opportunities for developing exciting and prescient narrative that can be explored in what I hope will be a long running series. I was mesmerised from the opening credits, which I wrote about here. Westworld played around with time and I will have to rewatch all ten episodes as I attempt to distinguish between ‘fact’ and ‘fiction’, and past, present and/or future.
**The following post contains spoilers**
Author: Amy C. Chambers
Westworld finally got its UK premier last night. It seemed like an eternity between the US release and our chance to explore, and I successfully navigated the minefield of avoiding spoilers and opinions on the first episode that might interfere with my own initial response (and enjoyment). The first episode wasn’t perfect – I wanted more, but it was necessary to give over time and space for worldbuilding (both the Western theme-park and the futuristic workplace) and introducing the basic concept of the show. It’s based on the 1973 SF-Western movie Westworld written and directed by science fiction writer Michael Crichton (Jurassic Park, Andromeda Strain, Disclosure), it was Crichton’s first foray in directing, and it famously stars Yul Brynner as a killer-robot called ‘The Gunslinger’. The film and now the HBO TV series is set in a near-future adult amusement park where the super-rich can pay ($40,000/day) for an immersive storyworld ‘holiday’ where they can do use the robots as they please to act out their wildest Wild West fantasies. (more…)
Author: Iwan Rhys Morus
A few years ago, during one of our occasional forays to Hay on Wye and its second hand bookshops, I came across a boys’ adventure novel called The Radium Casket, published in 1926 (by Oxford University Press – I had no idea they published such things, though a few seconds research showed me how wrong I was: https://global.oup.com/education/children). Obviously, no historian of physics was going to leave something like that in a bookshop, so I bought it. It’s a classic imperialist yarn, set in China in the aftermath of the Boxer Rebellion. The British hero rescues a Chinese fugitive from his attackers and the dying man bequeaths him a mysterious casket filled with a strange silvery metal that turns out to have some peculiar properties. (more…)
Author: Amanda Rees
By their works, you shall know them…according to Vercors (the war-time pen name of French writer, Jean Bruller). His 1952 novel, Les Animaux dénaturés, opens with the death of a baby in Guildford. The father, who has arranged for the infant’s birth to be registered and for him to be baptised – thus ensuring that both Church and State recognise the child’s existence – is the killer: the mother, on the other hand, is a member of the species Paranthropus erectus (a genus of extinct hominins). So, is the father a murderer?